#we will get through as a crew

[typicalopposite]

Ughhhh losing OFMD when all they wanted was one more season to wrap up the story makes me IMMENSELY happier RWRB was a movie not a show! Would I have loved to see it told in a longer format, yes. But what do shows do to get you hooked? They leave on a cliffhanger (and then potentially get cancelled…devastating the entire fandom!!) And I would have DIED if they did something with Alex and Henry to leave it on a cliffhanger and then it not get renewed!!

I want more FirstPrince! And I am so hopeful we will get more FirstPrince, BUT… if we don’t… if we have got everything they had to give and the most we get from Prime and the cast/crew/Casey/Matthew now is a couple more deleted scenes and maybe some interviews… HELL even if we don’t get that! I’ll be ok. Because I was not left with that bitter taste of not knowing what’s next.

We know what’s next. With book!verse they are living it up in Texas in their farmhouse. And in movie!verse we know through the snippets of the Thanksgiving scene that they made it to the brownstone, Henry’s cooking (likely badly, but we won’t judge), and they are HAPPY!

No one is dead. No one is alone. No one is sad.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[bizarrelittlemew]

calling it right now that season 3 starts like this

[charminglyantiquated]

9/25 update on the Nautilus, for anyone curious. Details below (long), but in summary: the damage is more expensive than we'd hoped. We will have to buy Nautilus back as salvage and repair her mostly out of pocket. We still do intend to repair her, but it seems now it will be over a timeline of several years. The fundraiser for her repairs has been raised to reflect the new estimate, and will remain up as long as we're working on her, for anyone who wishes to contribute. I'm so unbelievably, profoundly grateful to all of you who have helped us so far. Thank you so, so much.

Damage: a joint survey was conducted Tuesday between surveyors from our insurance and that of the other vessel. It will be another 3-4 weeks before we have the official paperwork, but the consensus was that the damage approaches twice Nautilus' value. In addition to the mast and all the attached rigging, sails, hardware, etc., the teak deck would have to come up in order to address the damage to the deck and hull. This means that rather than pay for repairs, our insurance company is almost certainly going to write her off as a total loss.

I am waiting for formal documentation before sharing any exact numbers. Once we have them I will be more precise. But the general process as I understand it right now is below, for anyone curious about how everything shakes out.

What a loss means with insurance: my understanding is that repair damages are only covered by insurance up to the point a vessel is totaled. Since the damages almost certainly surpass her value then she would be totaled instead. In this scenario, our insurance would give us the value the Nautilus was insured for, and then pursue the other vessel's insurance for their own reimbursement. Additionally the other insurance might give us the income we lost over the remainder of the season, but whether that will happen and what amount that would be is up in the air, with the three different attorneys we consulted agreeing that we'd be fortunate to get any amount. Anything beyond that is apparently unlikely, any other legal pursuit would possibly lose us more money that we might hope to gain.

On our end: we took out a loan to buy Nautilus in April, and still owe the majority of it. By the terms of the loan, with a total loss we would have to pay back the full loan immediately. Then, because this is essentially our insurance 'buying' Nautilus from us, we would have to buy her back as salvage. The salvage price would be determined by the salvageable parts of her, and the surveyor. Hopefully it would be less than five figures, but it depends heavily on which insurance company actually ends up with her, and how exhaustively they tally up the pieces of her that they could sell. The surveyors could not tell us at the time of the survey who would end up with her or what they would charge. For the next month or two Nautilus is in a kind of purgatory where we do still technically own her, but only until insurance gets through the paperwork, which makes it difficult to begin any work right now.

Financially: when the dust settles, once the loan is paid and we own Nautilus once more as salvage, I think that based on the current estimates we may have some funds remaining. But even in the best case scenario - low salvage price, and we do receive lost income - it wouldn't be enough to finance all the needed repairs. My partner and I will be keeping the fundraiser up for as long as we are working on her, for anyone who wishes to contribute to her repair fund. Any help from anyone who would like to see her sailing again will always be deeply appreciated, but we're both aware it's an absurd number. If we fail to meet it, we're both keenly aware it's not through any lack of generosity - I cannot possibly express how grateful we are for the help we have received already, and what a massive difference it has made over the last month as we deal with the immediate and long-term fallout, covering her haul-out and towing and bills over the months it will likely take to resolve all this.

Fixing Nautilus: my partner and I are still committed to repairing her, despite the cost and the time involved. The thought of letting her be cut up for salvage is too heartbreaking to bear. But at the pace things are progressing and with the resources we have, it's obvious now that it's not feasible to fix her fully over the winter; it will instead be over the course of several years. However, my partner and I hope that by doing as much of the work ourselves as we are qualified for, we can bring down the overall cost of repairs by a fair amount. Additionally, the broken mast was built only a few years ago by a gentleman who still has the plans for it and is willing to guide us through the process of building a replacement. There is a possibility we can connect with a local boat building school's fledgling restoration program. And a great many people have offered their time, advice, expertise, and contacts. The timeline has changed, but we are not giving up on her.

In the meantime: with the survey done, we now have at least a general idea of what the future will look like. Since working nonstop to get Nautilus sailing again by June is not on the table any longer, my partner and I are currently figuring out a long-term plan for ourselves, our little company, and the Nautilus herself. We have discussed a few ideas, which I'll share more about once we settle on anything concrete. Nautilus herself is finally clear of wreckage, with the pieces of her mast on sawhorses beside her, her deck swept clean, solar panel plugged in, and a tarp over the worst of the damage. She's as safe as we can make her for now; there's nothing else we can do except wait for the wheels to turn.

Lastly: thank you all, more than I can say. I have been trying not to miserypost, but I have been having a very hard time dealing with this, as has my partner. It took us ten years to save the money we put into Nautilus, and the few months we were able to spend sailing her together were the happiest and proudest I have been in my life. We have lost the future we'd imagined, and regardless of how this resolves, we are never getting that time back. We are determined not to lose the Nautilus as well, but it has honestly been difficult some days to push through the grief. The one consistent silver lining has been the kindness and sympathy and outrage from everyone who has taken the time to reach out to us. I have been floored, over and over, by how many people we have rooting for us. I am never, ever going to be able to express my full gratitude to all of you. Without exaggeration, you have kept me going.

I will share more once we know more - exact numbers, exact damage, exact plans for repairs and the next steps. Until then, from the bottom of my heart, thank you.

[sforzesco]

some scribbling for the spartacus comic! just setting some scenes, figuring out some panel layouts, staring at the roman cast for the capua era and going ‘oh god none of you (aside from lentulus. obviously) have names yet.’

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

[1000sunnygo]

Probably the most powerful expression Oda drew on Law because how many times have we seen him so broken and desperate. That's a boy who lost everyone within a single night along with his faith in humanity - spilling out his heart in front of a total stranger just so he can somehow evade re-experiencing this pain:

And this time it struck him worse . Now there's guilt along with grief because he brought the grim reaper to Cora himself.

Vergo is now dead and Doflamingo in Impel Down - but this isn't something you heal from in lifetime.

Years after, same story. Oda struck the same wound again, took away his sword and hat while at it, then left him in salt water.

[shima-draws]

THAT right there, ladies and gentlemen, is a LOVE CONFESSION

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[fishareglorious]

all i'm asking for is that if we get a event in the philippines and there's a Storm there we should have a soundtrack that's a mashup between symbiosis and it's raining in manila

[mugiwara-lucy]

The way Luffy's lip quivered when Yamato mentioned Ace 🥺🥹

[jayktoralldaylong]

Four ways to become an Avatar:

1. Being chosen by an already existing Avatar: This is how majority of Avatars become Avatars, even Jon went down this path (that's right Mr. Sims, you're not special 😂 - I'm sure he's relieved about that).

2. Becoming an Avatar without connections - This one is harder an often involves a Leitner book. Often involves a search for power. Eventually these Avatars will get connections or meet another Avatar to help them along or they'll die fast.

3. Getting chosen by the Entity - Very very rare. Almost never happens. Entities are worse at communication than your toxic Ex.

4. Getting born FOR an Entity - The rarest one. You would think getting born the personified version of an Entity would come with lots of benefits (and it often does because these people are often more powerful than any other Avatar - Agnes and Peter), yet for some reason I think these guys are worst Avatars in general. 😭💀 It's not like they're bad at their job, they are very good at burning and making people lonely, but that's also the only thing they know how to do. 😭😭 Outside of their field they are lost (Agnes even had an identity crisis when she couldn't burn things anymore). I don't know how to explain it but they're really pathetic at manipulation as well. 😭🤣💔 They also seem to have an identity crisis when they get into complicated situationships.

TMA spoilers in the tags.

[thejakeformerlyknownasprince]

Can you elaborate on the Our Flag Means Death thing? If you want

Yeah! So I get that realism isn't the be-all end-all of fiction, but. I really wish Taika Waititi et al. had done even 30 seconds of research on 18th century American history before they wrote an extended joke about the protagonist having a "man for sale" in episode 3. Yes, it's a white man being sold, but a guy still gets led to a market by a rope around his neck and then auctioned off... and this is played for laughs. I don't know a ton of Caribbean history, but even I know that no one in Nassau in 1717 would have been confused by the idea of selling a human being, the way they are on OFMD.

That was all before I found out that the real Stede Bonnet was a known enslaver and possible rapist. I think his story could be a horror comedy about a horrible person being horrible (see: What We Do in the Shadows) but the Stede we see on OFMD spouts progressive pop-psych slogans and is allegedly here to teach us radical self-love. Not a great combination.

Also, I'm one of the people who found OFMD unwatchable partially because I'd seen Black Sails. Black Sails came out 8 years before, features a lot of the same historical figures and Treasure Island characters, and has more queer rep than OFMD. But Black Sails's main plot is about a doomed-yet-glorious fight to end slavery in the Americas in the 1700s, and it is unflinchingly honest in its depictions of racism, imperialism, and homophobia. So it's jarring and deeply unfunny to see some of that same material cleaned up (the polyamorous main character is now a monogamous gay man; the kill-or-be-enslaved stakes are now potted plant thefts) or else swept under the rug (acknowledging slavery and homophobia would ruin the fun! let's pretend they don't exist!) for a different show that gets lauded as "groundbreaking" for its milquetoast repackaging of queerness.

[pitske]

ROTZBACKE! HAKENZAHN! OI! OI! OI!

[edwinisms]

genuinely it’s this kinda shit that makes me seriously question my existence as a film major, specifically one focused on screenwriting for television. like it’s such a disgustingly hostile environment for any creators and just seems like an industry that gets progressively harder and more painful to participate in. why am I even doing this if whatever I may end up putting my time and effort and soul into will probably end up spat on and tossed out (if it even miraculously gets picked up by one of the handful of big malicious streaming entities that control what is and isn’t produced and seen in the first place). it’s either 1) don’t make any money and be doomed to have a second job forever, or 2) be subject to the torment and humiliation of the streaming service empire for eternity. that’s the state of show creation right now and it actually makes me sick and I just hope one day soon everyone gets tired enough of this status quo to shift the norm of how shows get produced back to a state where shows don’t require the permission of streaming services and other big corporate entities to exist and continue existing. that’s the only thing that’d make me feel like I have a real future in my own field.

[hellishgayliath]

Oooooooooohhhh im gonna feel bad for saying this and it kills me cuz i love epic with my whole heart but

Wisdom Saga did not hit right :v

[dykedvonte]

I was rewatching mouthwashing, and I ended up thinking of the different reactions that Curly and Jimmy had in doing their tasks. How during the scene of Anya evaluating Jimmy and showing dread towards the idea of doing his evaluation, Curly was the one that offered to take it off her hands. He had no issue with adding more to his plate, because he knew - or well, thought, he knew that Jimmy wasn't going to "bullshit" with him since he's known him for a long time. When Anya hands Curly a note from Swansea, Curly goes to check out what the issue is and he takes care of it without a complaint, the only "complaint" he has is how this incident could have damaged the pods. Which is reasonable, those pods are their only way to be saved if anything tragic happens on the ship. However, in comparison to Jimmy being asked to do things, he's passive-aggressive about it. When Anya asks Jimmy if he could help her out with Curly's painkillers, he tells her that people should be worth their titles, specifically using her title as a nurse when she asked him for help and then when she says forget it, since he made her feel insecure, he still goes "Oh no, I'LL take care of it" as if he was doing a chore, a favor for her. Then, there's that part where he blows up at her for things that she didn't even ask him to do - more so the others asked him about it, like the code scanner, him deciding he needed to find the axe for the foam, and then, there's the medicine part (which when she does ask, and she reconsiders - going to do it herself, he takes that away from her). Jimmy complains about the tasks he has to do and he treats it like a big issue, a "woes me" that he has to do this and that - wanting the praise of the capital without actually doing any work. While Curly doesn't complain about it, in fact, he even mentions that he's aware of how well he is doing at his job as a Captain during that cockpit scene with him and Jimmy. If Jimmy only had to do a small amount of tasks to get irritated and annoyed at being captain, while Curly didn't which I feel like encapsulates their personalities. Curly understands what he's doing is a job, it's a responsibility, why would he complain at any point for doing what he's suppose too? Why would he be upset at people asking him to do tasks? While Jimmy on the other hand, isn't used to it at all and it's different to what he's had before and he's realizing that he doesn't actually like doing the work he has too. I just wanted to ramble about it even if it seemed kind of obvious xd

It’s obvious but it is a thing people miss or understate when trying to find parallels in Curly’s and Jimmy’s relationship/personalities.

Like the way people portray it as neither taking responsibility when it is almost split down the middle of Curly taking responsibilities and faults that shouldn’t be his and making himself unequipped to handle the ones that are while Jimmy refuses to handle the responsibilities he has because he wasn’t expecting the work that comes with them.

Not a lot to say but people forget that another thing the game comments on is prioritization of issues and responsibilities and how the guys fail at it in one way or another in the situation.